John Legend’s Statistically-Misleading Oscar Speech

87th Annual Academy Awards - Show

Last night during fairly boring Academy Awards ceremony, singer John Legend and hip-hop rapper Common performed their Oscar-nominated and Oscar-winning song “Glory,” from the movie “Selma.” Aside from a few lyrical references, the song is pretty good.  The performance itself was stirring, resulting in a standing ovation the performance received, accompanied with several people- Oprah, Chris Pine, Jessica Chastain, among others- visibly moved to tears.

But, the performance was overshadowed by the politically incoherent acceptance speech John Legend and Common gave- more so, John Legend- after winning their Oscar.

Legend started his politically-charged acceptance speech by saying, “We wrote this song for a film that was based on events 50 years ago. But we say that Selma is now, because the struggle for justice is right now.”

What ‘struggle’? ‘Justice’ meaning, what specifically?

From Politico-

“We know that the Voting Rights Act that they fought for 50 years ago is being compromised right now in this country,” Legend said, referencing the Supreme Court’s 2013 decision that essentially invalidated the centerpiece of the 1965 civil rights legislation.

Legend referenced the significant increase in black incarceration in recent decades, as well. According to a study by the Bureau of Justice Statistics, black men were six times as likely to be in prison than white men in 2010.

“We know that right now the struggle for freedom and justice is real,” he said. “We live in the most incarcerated country in the world. There are more black men under correctional control today than were under slavery in 1850.”

Wait, what?

‘Selma is now?’ Where, exactly? And, what does that even mean? Where or what is the equivalent to “Bloody Sunday?” That venerated march was to bring national attention to the lack of voting rights for black citizens. There is absolutely no equivalent to that today. Aside from  having a twice-elected black man as president- according to the U.S. Census, in the 2012 presidential election, the black voting rate exceeded that of the white voting rate. Regardless of what Leftists say and would have you believe, no one is preventing blacks from going to the polls.

There’s no equivalence to Selma. None. To say so trivializes what the emotional and physical trauma blacks experienced in Selma.

Legend’s reference to the black incarceration rate- a favorite reference for Leftists- also lacks context and clarity. It’s a tremendously unfortunate reality that so many black men are locked away in prisons. It’s a stain on the black community and on the country at large. But we have to be honest about the problem, something Legend had no intention of doing.

According to the same statistics Legend cities, blacks commit a disproportionate amount of crime, which results in the inflated number of blacks in the penitentiary system. Blacks are seven times more likely than whites to be homicide offenders. Blacks are also responsible for 62 percent of all drug-related homicides compared to 37 percent committed by whites. Over 65 percent of all drug-related homicide offenders were black; whites comprised 33 percent.

Furthermore, blacks were enslaved (and segregated) through no fault of their own, which is why we consider slavery such a moral evil. Black incarceration on the other hand, is the consequence of law-breaking and criminality. The two are morally incomparable.

John Legend- and many on the Left who appeal to the problem of black incarceration- do so in a way that completely divorces black criminality from black incarceration, as if blacks were- and are- simply arrested, convicted and imprisoned for no other reason than the complexion of their skin.  It’s absurd- and again, it’s one of the reasons why the country increasingly takes blacks less and less seriously, to the detriment of… blacks. If people want to reduce black incarceration, let’s proactively reduce black criminality and recidivism.  

The idea of two black multi-millionaires misleading the country about racism while lecturing and guilting Hollywood liberals about the reality of black pathology was stupid and pointless. It would’ve been much more preferable and desirable- since Legend and Common felt compelled to lecture- to acknowledge how far blacks have come in such a short period of time. They could’ve used themselves as examples and highlighted what’s possible in our country when you try hard, make the right choices and take advantage of the opportunities given. The point- it’s good to thank previous generations for their sacrifices, but blacks should look to the future rather than dwelling on the sins of the past.

And by the way, I thought Jennifer Hudson’s Oscar performance was better- even though she didn’t get the applause or ovation her performance deserved

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Hollywood Idiots Slander ‘American Sniper’

 

moore, kyle

Michael Moore is being Michael Moore again.

Moore- the stubbornly sloppy socialist who appropriates a hypocritical, “down-with-the-regular-folk” schtick to mask the fact that his slickly-edited, hit-piece documentaries have made him a one-percenter, sounded off on the Chris Kyle biopic, “American Sniper.”

From the Daily Caller

Kyle, the most lethal sniper in military history, saved countless lives of American soldiers in his 4 tours of duty in Iraq. He was killed in February of 2013 by a fellow soldier he was trying to help who was suffering from severe post-traumatic stress.

But, of course, none of that matters to the chewed-up piece of bubble gum known as Michael Moore. The fact that Kyle was so efficient in his job probably adds to Moore’s snarkiness.

So according to this fat socialist, snipers are “cowards” who “aren’t heroes”.  Amazing

First, of course is Moore’s inability to resist the temptation of moral relativism- all snipers bad. Based on Moore’s twisted moral universe, John Allen Muhammad- the “DC Sniper,” who arbitrarily killed ten people back in 2002, is morally equivalent to Chris Kyle who killed Islamic jihadi terrorists before they could kill members of the US military or innocent Iraqi civilians.

Second, from what I’ve seen and read, snipers will shoot a target anywhere they have a clean shot, moron.

Just to be clear, Moore thinks snipers- and by extension, members of the military in general- are cowards who volunteer themselves to be put in harms way to fight for the very freedoms he takes for granted. See how easy and tasteless it is for Moore to passive-aggressively insult a deceased yet celebrated soldier from the comfort, luxury and security that he has, knowing a) that Kyle can’t defend himself; and b) this sack of bacon fat doesn’t have the testicles to offer his condescending insults directly to the face of any sniper in- or member of- the US military.

But Kyle is the coward. Riiiiiiight. Michael Moore is bad joke.

Moore is a well-known Hollywood progressive who advocates for socialism and “economic justice.” Moore has a history of attacking the military, corporations and the wealthy while embracing totalitarian regimes around the world, including Cuba. While he’s never been in the military, he and his company have made tens of millions of dollars through his films.

His recent divorce exposed his lavish lifestyle, including a huge mansion in Traverse City, Michigan, which exposed him to charges of hypocrisy.

Nope. Chris Kyle isn’t the coward y any stretch; Michael Moore is.

A. Big. Fat. Lying. Pathetic. Hypocritical. Coward.

Moore isn’t alone in his stupidity- he has company. Man-boy Seth Rogan who grabbed attention last month when his horrible movie “The Interview” was canceled by Sony after receiving cyber threats to pull the movie, chimed in to offer his thoughts regarding the hit movie as well.

On Twitter, Seth said-

Ahhh. Ok. The forever juvenile has compared ‘American Sniper’ to Nazi propaganda. According to the Daily Caller

The movie to which Rogen referred is the fake “Nation’s Pride,” the Nazi propaganda movie that draws Hitler, Joseph Goebbels, and other Nazi high command leaders to the theater where they are slaughtered in Quentin Tarantino’s masterpiece.

It’s too bad that Rogen couldn’t have voiced his thoughtless opinion last month prior to millions of people spending good money to support him and his bad film. Both he and Moore are obviously free to say what they want, regardless of how moronic it is. The irony is that they intentionally attack those who volunteer to defend the security and right for them to be as stupid as they want to be.

These two are emblematic of a large portion of Hollywood with their hollow chests, inverted morality and lack of self-awareness.